“The contours of my practice move between abstraction and realism. I look for otherness and the points of connection between these two languages. The line of sight is always this “in-finitude”; word which contracts in itself an oxymoron.- I paint absence. What missing part leaves room for an existing story?”

COLLAGE
Here, the portrait is twofold. It is not the representation of a face - form absolute — but an encounter through a collage. One image enters into conversation with another and opens the work towards a new horizon. My paintings open a passage between two worlds. The ambiguity between “Revelation” or “ellipsis” participates in the viewer’s free interpretation.

WORLDS
The necessity was born as we talked about other worlds, non-humans who inhabit me. Left until then in the background in my paintings, they take their place in the middle of a family of small paintings. Often worked in mirror with an abstract, they also converse between two worlds.

INFINITUDE
I am adopting a new vocabulary: vagueness. As in photography, it is an inaccurate focus in a stolen moment, a tight framing, an intimacy captured. My paintings wish to be incomplete: hidden portraits, blurred clarity, hidden glances. This infinitude offers an eternity, in the wake of other images that there would have been before and that there will be after. A suspension in time.